network profile
| bio | website | therobyouknow.com |
|---|---|---|
| location | UK | |
| age | ||
| visits | member for | 1 year, 11 months |
| seen | Apr 8 at 16:48 | |
| stats | profile views | 4 |
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Apr 8 |
accepted | Looking for compressed standard definition file format to share footage between Final Cut Pro 7 and Adobe Premiere Pro CS6 |
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Apr 8 |
comment |
Looking for compressed standard definition file format to share footage between Final Cut Pro 7 and Adobe Premiere Pro CS6 Thanks @AJ Henderson yes I am aware of the meanings - i.e. lossless (decompressed lossless file is identical to original, e.g. as in FLAC for audio) and lossy means information thrown away but smaller file size/data rate. |
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Apr 8 |
comment |
Looking for compressed standard definition file format to share footage between Final Cut Pro 7 and Adobe Premiere Pro CS6 +1 upvote. Which "flavour" of MPEG4? There seem to be a few: AVC, H263, H264, with container this, container that etc. etc. Can you advise on which MPEG4 type Final Cut will support - for Adobe I would expect it to support it as it does very well at supporting most formats. If you can get back to me I would like to accept your answer. I can't really understand why these would have visible quality loss when MPEG4 is also used in HD video (and the file sizes compare favourably to uncompressed AVI). If I choose the correct quality settings then surely there will be no noticeable degradation? |
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Apr 7 |
asked | Looking for compressed standard definition file format to share footage between Final Cut Pro 7 and Adobe Premiere Pro CS6 |
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Mar 1 |
awarded | Yearling |
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Feb 7 |
accepted | How to do live monitoring of audio input on Mac? (i.e. hear the input sound on audio out) |
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Feb 7 |
comment |
How to do live monitoring of audio input on Mac? (i.e. hear the input sound on audio out) +1 thanks and accepted answer |
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Feb 6 |
awarded | Popular Question |
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Jan 23 |
comment |
Tips for silently prompting people to not get too close to mics? +1 good tip @filzilla |
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Jan 23 |
comment |
Effective working at audio/video editing sessions (avoid fatigue making steady progress) +1 Thanks @Chris James Champeau |
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Jan 23 |
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Tips for silently prompting people to not get too close to mics? +1 @AJ Henderson thanks for your input |
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Jan 23 |
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Effective working at audio/video editing sessions (avoid fatigue making steady progress) +1 Thanks @AJ Henderson for your experience! I will leave the Question open for other contributors and then look at closing. |
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Jan 23 |
comment |
Tips for silently prompting people to not get too close to mics? +1 For the physical barrier. I'll leave the question open for a few more responses and try to close a bit later. Thanks. |
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Jan 23 |
answered | Effective working at audio/video editing sessions (avoid fatigue making steady progress) |
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Jan 23 |
comment |
Effective working at audio/video editing sessions (avoid fatigue making steady progress) +1 Thanks for your input. I guess the difference between editing and illustrating a book might be that with editing you start with raw content whereas with illustration you might sometimes start from scratch. Where they are the same is that both involve iterative work, going over the same content to refine. |
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Jan 23 |
comment |
Tips for silently prompting people to not get too close to mics? +1 Good question @Bart Arondson - the former - the mic standing on a stand. |
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Jan 23 |
awarded | Teacher |
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Jan 23 |
asked | Tips for silently prompting people to not get too close to mics? |
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Jan 23 |
asked | Effective working at audio/video editing sessions (avoid fatigue making steady progress) |
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Jan 23 |
answered | Which popular synthesizer voices are available for software? |
