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What you want to do is make a sequence with the same frame size as your source file (in Premiere and other NLEs your project doesnt have a specific frame size, as you can have multiple sequences with different frame sizes in one project) Open Premiere and Start a new Project (File > New > Project) Give the project a name and click ok (dont worry about any ...

I wouldn't count on directly loading the multiple tracks in Premiere Pro CS5.5; usually NLE software is geared towards the video production process, and typically the audio that is captured as part of a footage is a single stream, regardless of the number of channels it contains. Whereas you seem to be trying to edit a finished product i.e. a ripped movie ...

GoPro video files are basically the old Cineform Neoscene. GoPro bought them out. Cineform files have always worked in Premiere. I use them right in Premiere without any conversion. It is batter than the DSLR format. I convert all my Canon footage to the GoPro code before editing. Just make your own preset and save it.

A variation of this question has been answered on the Adobe Forums. Find it here. Sequence Preset Now that you have all your files converted, we need to pick the right project sequence preset for the resolution you are working on, all of them based on AVCHD For R2 choose AVCHD 720p30 For R3 use AVCHD 720p60 For R4 you will ...

Depending on your version of Premiere, there should actually be a speed adjustment from the context menu when you right click on the clip. It may be under a sub-menu depending on version, but it will give you the option of either a % to increase/decrease the speed by or a new time that you want the clip to take.

Work with submixes A submix is a track that combines audio signals routed to it from specific audio tracks or track sends in the same sequence. A submix is an intermediate step between audio tracks and the master track. Submixes are useful if you want to work with a number of audio tracks in the same way. For example, you can use a submix to apply identical ...

This might be better suited as a comment to your original post, but alas I do not yet have those privilegies. Anyway, my answer to you would be a cliché one: Keep tinkering. It's really a matter of finding out what effects Premiere can offer, deciding which will be able to assist you the most and then going back and forth between them until you find a ...

Hey try the audio effect Fill left or Fill right! (I use a zoom h4n and have to constantly do that ) http://www.mediacollege.com/adobe/premiere/pro/audio/fill.html ! Happy editing! (remember fireballs always make video better!)

After a long time of messing aroung I got it to work by tricking the software into thinking it was actually in the default location it likes at 'C:\Program Files\Adobe' by creating directory junctions. In order for it to work the hard drive must be formatted with the NTFS filesystem. I used http://code.google.com/p/symlinker/ to create the directory ...

I've had a bit of account trouble, so I now have a different account and I can't log in to modify this question. So.. I'm going to answer my own question with what I have learned: The video files I had were not supported by Premiere Pro. However I was able to play them (in VLC) and transcode them (in FFMpeg). The real question I was asking above was: What ...